Monday, 2 July 2012

Latour and Systems Aesthetics


"FH: Ah agency. Well in just reading you talking about Gaia it seems that if there was any form of agency in relation to your account of what we might call a “democracy of objects” or “thing politics” then that agency would have to come from us understanding ourselves as thoroughly embedded in sorts of networks. Like ants or something perhaps.

BL: "Well, systems and networks have a different sort of feel.
 [...]
 BL "[The emergence of] System was a great moment in trying to reorganise multiplicity. I mean to order the masses of new stuff [that is, the novelty of modernity] one comes up with the idea that you could actually connect boxes and then link them up in a system. In Sociology we see this with Luhmann [and his Systems Theory]. Networks are very, very different metaphors where, I mean by metaphor an aesthetics of proof. The multiplicity of connections in a network, that is the heterogeneity of a connection, is vastly greater than in system."

Bruno Latour in conversation with Francis Halsall


I'm pleased to say that the whole conversation is to be published soon. 

I'm fascinated by this idea of metaphor as an aesthetics of proof and how this is going to relate to Luhmann's own aesthetics; particularly as it pertains to a discussion of the emergence of, as Latour says, the systems of modernity.

Monday, 18 June 2012

Legacies of Duchamp

Friday 22 June 4pm – 4.45pm
 

Lecture Room, IMMA at NCH, Earlsfort Terrace

Francis Halsall, course co-ordinator of MA ACW, traces the multiple legacies of Marcel Duchamp in contemporary art practice and theory. Halsall will unpack the main elements at stake in Duchamp’s practice such as: the readymade, appropriation, intervention, anti-art and identity. The impetus for this discussion is Duchamps’s Rotereleifs/ Optic Disks, 1953, as featured in the exhibition Time out of Mind.

Booking is essential.

Free tickets are available online at www.imma.ie/talksandlectures

Thursday, 3 May 2012

21st Century Body symposium, London

Very happy to be involved in this which looks like a very interesting event called

The 21st Century Body Symposium

Daryll Forde Seminar Room, Bloomsbury campus, University College London
18th May, 2012, 9am to 6pm, followed by a drinks reception


Here is my abstract for a paper called Irritating Social Systems: Luhmann and the Body - which has simplified the complexity of Luhmann's position for the sake of legibility. I'll unpack his position in more detail in the paper.

Keywords:     
Niklas Luhmann
Body
2nd Order Cybernetics
Transcendental Philosophy
Social Systems

According to Niklas Luhmann the body seems to almost disappear in modernity. He applies the observations of 2nd order cybernetics to a sociological analysis of social systems. Modern society, he argues, is a system comprised of a number of operatively closed and functionally distinct sub-systems such as economics, science, law, the mass-media and so on. Each system is autonomous and observes the world in its own terms via its internal communications.

Thus, Luhmann’s sociology is generally characterised as a post-human one. That is, one in which the basic unit is not the embodied human subject but rather instances of impersonal communication.

In this paper I challenge this. Having introduced Luhmann’s theory, I then discuss two aspects of relevant to thinking about The 21st Century Body.

(i) I explore how ‘to be human in the 21st century’ means to have ones body fully embedded within (and perhaps subordinate to) complex social systems of communication and control. For Luhmann the human is, after all, just another system (a ‘psychic system’) alongside many others. This would appear to render the embodied human subject redundant in two significant ways. On the one hand it is redundant as the focus of sociological analysis (in other words if we want to understand how society works we must look at its systems and not its bodies.) And on the other hand this seems to negate the possibility of a bio-politics grounded in the agency of such an embodied human subject.

(ii) Against this apparently bleak assessment I argue that the body still has a significant function in social systems. My claim is that the body has the ability to migrate between different systems. Take, for example, the simple act of walking into a shop to buy a packet of cigarettes. This requires a complex negotiation of different systems such as: the economic system (in the transaction); the mass media system (in the advertisments for tobacco I may have seen and perhaps use to inform my choice); the legal system (given the legal status of tobacco) and so on. In all of these negotiations my body not a neutral agent of impersonal communication; it is, after all, my body that the cigarettes will probably damage. Rather, my body engages in, observes and is observed by, different systems at different times.

My conclusion, then, is that the body has a transcendent status in social systems that is important. That is, the body can migrate between social systems and irritate them. In doing so the body can disrupt the hygiene of the apparently impersonal operations of social systems with its gleeful, messy corporality


Wednesday, 11 April 2012

More Picasso on the Radio

Another radio appearance on Newstalk

Transformative States and Distinct Images: Discussion on Nancy

Transformative States and Distinct Images
A discussion on the occasion of Emmanuel Rohss’ show at The Joinery
Lead by Francis Halsall and Declan Long in collaboration with MA ACW (NCAD)
 2:00 – 3:30pm, Fri. 13th April 2012
 

The Joinery, Arbour Hill, Dublin
 All are welcome

This discussion uses Jean-Luc Nancy’s text “The Image – The Distinct” as a starting point for a conversation about the contemporary status of The Image in relation to aesthetics, objects and The Sacred.

The text is available to read in advance. For a copy email: halsallf@ncad.ie
“Art is necessary and is not a diversion or entertainment. Art marks the distinctive traits of the absenting of truth, by which it is the truth absolutely. But this is also the sense in which it is itself disquieting, and can be threatening; because it conceals its very being from signification or from definition, but also because it can threaten itself and destroy in itself the images of itself that have been deposited in a signifying code and in an assured beauty. That is why there is a history of art, and so many jolts and upheavals in this history; because art cannot be a religious observance (not of itself or anything else), and because it is always taken back up into the distinction of what remains separate and irreconcilable.”

Jean-Luc Nancy, ‘The Image – The Distinct’

Monday, 26 March 2012

Video Now Online: Debate on Socially Engaged Art

The video of the debate on socially engaged art from a few weeks ago is now online here.

Thinking the Absolute

At this link here Robert Jackson has posted details of the panel he's organised at the forthcoming Thinking the Absolute conference in Liverpool. I'm happy to be involved and will be talking about an occult side to Luhmann (something already sketched on this blog). Full paper to follow when its done.